Chapter ‘A Creative, Critical Cartophony of ArtEZ, Arnhem: Situated Listening to Land and Place’ in Out of Theory, ed. Peter Sonderen, (2025) including soundwork and five online audio essays.
‘As I listen, I hear how instinctively I expect the breath of beings and place to be available to me—to my recording, to my artistic curiosity and inquisitiveness.’ (p. 89)
Text score ‘Emptying the Cup’ (p. 20) and Introduction to ‘Scores for Relational Listening’ with Björn Eriksson (p. 56) in A Year of Deep Listening, ed. Stephanie Loveless (2025)
‘This moment has the texture of both tender fragility and robust timelessness, a permeability that can bring an explosion of the heart and a shock of warmth around the belly or eyes’ (p. 57). Order a physical copy from MIT Press.
Article for APRIA journal, ‘Welcoming Visitors into the Polyphonic Landscapes Artistic Research Project Ecosystem’ (2024). ‘What kinds of tools do we need to better communicate with the audience and come to understand their experiences with artistic research (exhibitions), and what we might learn from them as actants within this research ecosystem?’
Contributor to Radio ArtEZ podcast series Listening to the In-Between with Part 2: Sensing Traces of Power(lessness) (2022). This second episode ‘further connects the idea of an embodied practice with the theme of power and powerlessness by working with others through the creation of text scores, also conceptualized as rituals of attention, that offer a way of listening to or sensing aspects of power and powerlessness in an embodied way.’